call for submissions
outlaw midwives zine vol. 2
focusing on pregnancy, birth, and the baby year
for and by: mothers, friends and allies of mothers, doulas, midwives, birthworkers, childbirth educators, childbirth advocates,
intention: to create a zine for pregnancy, birth, and the first year of motherhood centering the lives of working class, marginalized mothers and birthworkers.
submit: photos, drawings, visual art
poems, essays, fiction and non-fiction
tips, suggestions, lists of resourcescheck out the outlaw midwives manifesta and website: http://outlawmidwife.wordpress.com/
outlaw midwives: creating revolutionary communities of love
some suggestions for topics on which you can submit…but these are just suggestions…
suggestions for those trying to conceive. and for not conceiving. stories of conception, abortions and miscarriage.
what are the social, economic, legal consequences and limitations for marginalized mothers to make choices about how, when and where they will give birth.
tips for the first, second, third trimester. relationship with doctors, clinic, midwives, family, friends, etc.
how do we resist the high infant and mortality rates?
what are the ways that community could support the childbearing year, mothers and families?
how have you navigated through the systems of welfare, protective child services, hospitals, etc?
reflect on the state of midwifery today. what do you see as the positives and negatives? how has legalization and licensing affected mothers and families access to care?
what would you want to tell a soon to be mother about pregnancy, birth, and early motherhood? or write a letter to your pre-mother or pre-pregnant self about what you should expect. what didnt you expect to happen/learn/experience in pregnancy, birth, the baby year? write a letter to you daughter and/or son about what you learned/want to pass on about pregnancy, birth, baby year.
what was your personal experience/story of birth? pregnancy, the baby year?
what did you learn/are you learning from the baby year?what do you wish someone had told you about early motherhood and/or being a birth worker?
what do you wish you could have said to someone, but didnt?
what is your vision/ideal of how pregnancy, birth, baby year could be?what family/traditional wisdom did you receive about pregnancy, birth, breastfeeding? what practical tips do you have for working poor mothers?
breastfeeding vs. bottle. what are the social, biological and economic influences and consequences of the choice to breastfeed or bottle feed?
what to do with the placenta? placenta art, consumption, burials?
why did you become a birth worker? what has been the highlights of the experience? what have been the difficulties?
what does ‘outlaw midwife’ mean to you?
keep it simple
deadline halloween october 31st
send submissions to maiamedicine at gmail dot com
Category Archives: Mami to Mami
M/others, Mamaz and Community Care-Givers Unite Through Truth-Telling at the AMC
Cross posted with VivirLatino
There were many reasons for my attending the Allied Media Conference, including to see dear friends but I also went to help present, specifically this workshop:
M/others, Mamaz and Community Care-Givers Unite Through Truth-Telling!
Presenters: Rachel Caballero, La Semilla Childcare Collective; China Martens; Future Generation & Don’t Leave Your Friends Behind; Kidz Space; Katina Parker, New Orleans Labor of Love; Maegan “la Mamita Mala” Ortiz, VivirLatino/la Mamita Mala
Facilitator: tk karakashian tunchez, To tell You the Truth/New Mythos Project
TRACK: INCITE! / To Tell You the Truth
M/others (self-identified single, teen and welfare mamaz), mamaz and community caregivers around the country are telling their truths through zines, blogs, printed media, performance work etc, and using this process of truth-telling to create stronger selves, families and communities. In this 3-part, interactive workshop, we will share practical skills and organizing models, then strategize on how we can support each other year-round through a national network of mamaz and community caregivers. Come share your questions and your knowledge with us!This session will take place in three one hour parts. Part one is a knowledge fair, showcasing the many incredible projects in the room. Part two is a skill share, giving you a chance to learn some specific truth-telling and organizing techniques, including: zine-making, social media, on-the-go-video-how-to, blogging 101, and building a radical childcare collective. Part three is a strategy session for all us m/other, mamaz & community cargegivers in the room to think, dream, strategize, and envision specific ways we can work together over the next year. We will explore questions like; What do we bring to the tables as mamaz? What support do we need? How can we fortify our national community and our families? How can alternative media-making further our movements and transformations?
This session prioritizes the participation of mothers and community care-givers of color, but is open to all.
The session started with TK Karakashian Tunchez, of To tell You the Truth/New Mythos Project introducing the audience to the session, how we got here, who we are are, and what we will be doing; basically laying the foundation.
Mamis Are the Movements : The New Mythos Tour
Mami is a core part of my identity, my life. It seeps into every letter, every post, everything I breath out and take back in. I am proud to announce that we are a part of The New Mythos Tour that is jumping off next week and ask all VL readers and supporters to extend their love and support as well.
Gloria Anzaldua says: “By creating a new mythos – that is, a change in the way we perceive reality, the way we see ourselves, and the ways we behave – la mestiza creates a new consciousness. The work of mestiza consciousness is to break down the subject/object duality that keeps her prisoner and to show in the flesh and through the images in her work how duality is transcended. The answer to the problem between the white race and the colored, between males and females, lies in healing the split that originates in the very foundation of our lives, our culture, our languages, our thoughts. A massive uprooting of dualistic thinking in the individual and collective consciousness is the beginning of a long struggle, but one that could, in our best hopes, bring us to the end of rape, of violence, of war.”
Who’s Your Mama : Event at Food for Thought in Amherst on November 13th
Cross-posted from VivirLatino
I met the organizer of this event, TK, at the Allied Media Conference this past summer. Another amazing mami media maker puts together an amazing event. Those in the Amherst area represent and support.
NOVEMBER 13, 2009 * 7PM
Food for Thought BooksPlease join us for a very special evening of women’s voices and responses to benefit To Tell you the Truth. Featuring Who’s Your Mama: Unsung Voices of Women and Mothers (Edt. by Yvonne Byone) Contributors: JLove Calderon (We Got Issues!/ That White Girl), Marcella Runell Hall Hall (Hip Hop Education Guidebook) and Marla Teyolia (Empowered Mama!). On site childcare provided.

baby makes me
From the Sparklicious one:
PLEASE POST ON YOUR BLOGS, SITES, LISTS etc. Help us reach the folks we need.
Many of you have already heard about our film, Baby Makes me. For you, this is an update. But for the folks who have not heard Tiona and I are making a documentary together.
For years, I have wanted to become a mother. But the timing has never been quite right. Either my partners weren’t ready, or I was scared, or I couldn’t find a donor or something. There was always something. By the time I rolled into 35, I was tired of being afraid, tired of waiting for the right woman with whom it would be the right time, tired of watching every Christmas roll over another Birthday, tired of watching my peers get knocked up and months later appear with the most amazing little bundle of potential—I was tired of waiting and ready to make the leap, and I was ready to make it alone.
I began the research with great heart—only to discover that there were little no resources for women who either wanted to, or had to embark on the journey of motherhood in the solo. There were one or two essays and a few books on artificial insemination, and some were even directed at lesbians—but most, if not all assumed that the mother would be operating from inside of a partnership, be that partnership heterosexual or homosexual.
The idea for the film came out of a conversation with Tiona to film the pregnancy/labor, assuming that there would be one—because no one, least of all me, knows if my body will cooperate in doing such a thing as conceiving. I envisioned Tiona asking a couple of heartfelt questions and spinning the light to create a high-end home-movie I could show my child at eighteen. She agreed and we began to flesh out some ideas. That conversation, coupled with the lack of resource material out there spurred the project now known as Baby Makes Me.
Baby Makes Me, a feature-length documentary, will explore the challenges and triumphs of Single Motherhood, particularly in the lives of women of color, lesbians and women who make a conscious choice to be mothers in the absence of intimate/romantic partnerships with men.
The film will use as its narrative skeleton, the journey of activist/writer/performer, Staceyann Chin, as she navigates her personal choices with reference to motherhood. Author of the memoir, The Other Side of Paradise, Chin now brings her talents to the medium of film as writer and Executive Producer.
The Director, Tiona McClodden, is a champion of promoting positive images of women in media. Her last film, “Black./womyn.:conversations…”, garnered much respect in both accolades and awards. She now brings her attention to the issue of women and motherhood.
It is our intent to interview a series of women from all the demographic cross-sections. Issues of financial, ethical, medical, cultural, and political relevance will be fore-grounded. We hope that clinics, hospitals, families, children of Black lesbians, straight Black women who want children, mothers of gay women who lament the loss of grandchildren when they discover their daughters are gay, and anybody who seeks to have a clearer picture of the family that includes gay women will see that our lives go on, that women who are single, be they lesbian, or Black or poor, can and do have babies, and that we are simply another group of people who live and laugh and grow. We hope to paint the subjects in the film as human and likable characters who, though they are dealing with slightly different challenges than the women we traditionally see as mothers, are not very different from any other group of people considering parenthood.
We are going to need all the help we can get. We need help in reaching out to folks who would like to be interviewed; other single mothers, women who have been inseminated, women who are thinking about it, women who work in the medical field, women who work in the administrative world of policy etc. We are on the hunt for the all the voices that could represent our story in the film.
We have recently been awarded a grant from ASTREA Lesbian Foundation for Justice and are set to move forward. We write to you now, in the hope that you will want to be involved in this groundbreaking project in whatever capacity you choose: we need space to host fundraisers and screening and other events connected to the film. We need people to fundraise, to promote the film, to host community talks, to suggest topics for discussion in the film—we need to secure additional investors, we need the help of people who are experts in the business of making films, and we need the counter-perspective of people who have never made a film. We are hoping to make this a community effort; from start to finish we want the ideas to be representative of the various factions in our diverse village of the women who mother our children. If you are sure you are unable to do any of the above, we only ask that you make room for our fliers, questionnaires, invitations, and other promotional materials for the film.
We would be honored if you would join us as we attempt to break more ceilings, level more walls to make room those of us who are too frequently left out of the history and imagination of the world we live in. We look forward to a spirited journey with you, from the opening shot to the ending credits—complete with your name listed among the most stalwart of our supporters.
Thanks again to the women who have already offered assistance. We look forward to your being a part of our process.
Staceyann Chin
Executive Producer/Writer, “Baby Makes Me”
Tiona McClodden
Director/Producer, “Baby Makes Me”Please send all inquiries and requests to: babymakesme@gmail.com
Where’s Aniysah?

Women of color are not paranoid when we say that we fear our children being taken away. It happens all too often.
It happens again and again:
On March 3rd, 2009 six year old Aniysah was taken from her mother’s arms and thrown into a legal shuffle of unaccountability, instability and discrimination. There were no records verifying that she would be taken to a safe living environment or that she was enrolled in school. Questions about her health and well-being went unanswered. That was 150 days ago. To date, Aniysah remains lost in the legal system. A system where black and brown children go missing everyday. A system where black mothers like Aniysah’s are often left to fend for themselves in a brutal, dogged battle just to make sure their children are safe.
Mami Vs. Mommy, Mami’hood vs Motherhood

Like seriously, I’m supposed to explain to someone who doesn’t even get what the difference between Mami and Mommy means, I’m supposed to explain sanewhy my form of media is valid in their movement? I’m supposed to try to sell you on my career?
What career? This is my life, my kids life, our sanity.
And for the record, no we don’t start or “media” after we get funded and no we don’t start working on “media” when we’re up for a sabbatical. No we don’t start any “movement” after our grant gets accepted. Some money might come along the way, some one will donate $10 or $50 or someone gets a scholarship to attend a conference that’ll be critiqued the hell outa.
It gets tiring having to explain Mami vs mommy, mother, mom. I probably shouldn’t frame it as a vs. cuz it’s not like mommy media makers, mom 2.0′ers and mamis are fighting each other. Most of the time we’re ignoring each other. I can’t say exactly why the moms/mommies/mothers ignore radical mami’s of color, especially us single media maker ones, like when at the Women’s Equity Media Summit I had to ask that Mommy be changed to Mami up on the paper in the front of the room, or like when I after I explained why mami (Mami based in my Latina/WOC identity, based in the hypersexualization or the diminishing of my sexuality, based because my mami’hood is a fucking community that I am working every damn moment to create and live in not some marketing tool or playdate), the woman walked away and gave two other mamis and me her back.
“Guess she’s not a mami” one of us said shrugging.
When the two other mamis and I came up with lists, words, stanzas and lyrics about who/what we were (cuz we have a long ass history that Ms. China Martens is gonna help me document by coming to casa mala so I can write ::wink wink::), the people in the room of that Women’s Equity Media Summit fucking cheered. These were some of the ideas that came out of the mami conversations.
Pero when the applause and the patting on the back stops, when the one on one conversations in corners that amount to nothing but some white mujer telling us thanks for doing/saying the things I’m too lazy/privileged to be bothered, where is the support or the “resourcing” that women media makers are supposed to be doing?
Not that we’re holding our breath or anything. When I ignore you, fail to link to you, not attend your conference, think about why.
More Notes from Detroit : Via Hermana Resist, Have you not seen/read/been transformed by the work of my sisters?

Hijas de Speak! Winter y la Mapu
Noemi “Capital 2″ shares her experience from the Women’s Equity Media Summit.
By knitting together a fabric of our many kinds of media into a warp and woofed whole we automatically strengthen the feminist public sphere. Our words will be louder, our images more brilliant, our analysis on women’s lives will deepen. All of this is to inform and encourage women in communities to tackle vital issues that will improve the conditions in their lives and for their families and communities.”
okay, what? Now I looked up woof and, keep in mind, I come from a very isolated town way down south “really really close to the border”-high school dropout- and I think in spanish sometimes and some words only come in Spanish and sometimes I can’t think straight[straight is overrated, AMC team -0 represent], but I asked folks and we couldn’t understand this. We strengthen the feminist public sphere. What about the mujeres who don’t have that aim, what does that mean? What public sphere is this? Who’s sphere, who’s public and who’s the audience?
“Our words will be louder.” Really? How much louder can I get? And how can our words get any louder if it’s all become unified into this magic tapestry? And images brilliant? Have you not seen the work of my sisters? Analysis will deepen? [this. hopefully this happened.]
All of this to inform [seriously? Are we not doing this already? Have you not seen/read/been transformed by the work of my sisters?]
…to tackle vital issues [seriously? Have you not seen/read/been transformed by the work of my sisters?]
… will improve the conditions [seriously? see above.]
All of this is to inform and encourage women in communities to tackle vital issues that will improve the conditions in their lives and for their families and communities.” Because…the mujeres…at a media summit…aren’t doing this already? Please see above.
Mami Artistas in the Midwest : MIDWESTERN VOICES AND VISIONS
The program seeks to promote artists of color working in any
visual, literary, and/or performance-based media, who display
artistic excellence, are committed to an artistic career, and
are under-served, under-recognized or under-represented in
the mainstream. Must be permanent residents of Illinois, Indiana,
Iowa, Michigan, Minnesota, Missouri, Nebraska, Ohio, or Wisconsin.
The $4,000 award may be used at the artist’s discretion; however,
receipt of the award is contingent on the artist’s completion of
a month-long residency. Deadline August 15, 2009.
Via / Hermana Resist
Now to Our Regularly Scheduled Programming : Vaccines and Our Communities
guerrilla mama medicine has a really great post up about vaccinations.
What makes this post different from so many is that it’s not centering the debate on issues such as autism connections or what’s in the vaccines, pero rather how vaccines help to create a cycle of new vaccines and new illness, while never allowing the human body to develop it’s own immunity. Also how poverty impacts the development of natural immunity and how if we are not working to deal with those issues, we are missing the point.
we know that stress, emotional, psychological and environmental stress has a direct effect on the strength of the immune system and the production of white blood cells. can we work to lower the stress in children’s lives? the stress of poverty? of hunger? of racism?